Search: Starring Kate Dickie

It's laugh out loud funny in places, and there's an endearing earnestness throughout.

Kate Dickie is amazing.

Donkeys is an interesting experiment. But its script is patchy, and at times strands the excellent performances in a wasteland of poorly defined relevance.

McQueen builds his scathing criticism of the 1970s British school system in layers. Resembling the 'beautiful spiral constellation of Andromeda' that set the little protagonist dreaming, the film returns to the diverging realities and tropes.

Falls just shy of a state of perfection.

Any number of the film’s frames belong in frames, fit to adorn palace walls.

There’s a genuine unpredictability to Honey Bunch, both structurally and thematically.

This is one of my favourite performances of the year.

If there is one positive thing that can be said about the film it is that it lives up to the promise of its title.

For much of its runtime, Outcast may be the best British horror film since The Descent.

Writer-director Alice Lowe takes a blowtorch to the picture postcard image of pregnancy.

This big-screen epic is immersive less for its binocular vistas than for their impossibly grand scale

A stylish and twisty psychological thriller that easily goes the distance in terms of plot, even if the scripting is uneven in places

It’s hard to imagine that [Poe] would have been anything other that appalled by this shoddy exercise in pilfering the most superficial aspects of his work.

The film makes no compromises to its audience.

Isolation rules and comfort is cold in Scott Graham's gripping and emotionally tense feature debut.

There are different kinds of horror at work here and Owen keeps us waiting to see which will come to the fore.

Meadows' film oozes quality. The scripting feels natural and, thanks to long takes, Meadows is able to get the best performances from his young leads.

It is this film's universality that gives it relevance - that, and a remarkable central performance from newcomer Kerri Clarence.

Lowe’s approach is an exhiliarating, if sometimes a bit scrappy, mix of high and low brow.

The dystopian stories in Spanish director Chino Moya's feature debut nest within one another like a series of Russian dolls - dolls that have been carved by someone with a soft-spot for JG Ballard.

Eggers draws fully on the iconography of the period, the muted greys and greens of the landscape captured by cinematographer Jarin Blaschkee broken only by repeated flashes of cardinal red, bringing with it the suggestion of cardinal sin.